Teoria muzicală

Teoria muzicală este studiul muzicii din punct de vedere al noțiunilor implicate în practica muzicală. Ea examinează limbajul și notația muzicală. Ea încearcă să identifice modele și structuri în tehnicile compozitorilor, din sau în cadrul genurilor, stilurilor, sau perioadelor istorice. Într-un sens mai larg, teoria muzicii distilează și analizează parametrii fundamentali sau elementele muzicii: ritmul, armonia (funcția armonică), melodia, structura, forma, textura, etc. În linii mari, teoria muzicii poate include orice declarație, convingere, sau concepție despre muzică. O persoană care studiază aceste proprietăți este cunoscută drept teoretician muzical. Unii au aplicat acustica, fiziologia umană, și psihologia pentru a explica cum și de ce muzica este percepută.

Vezi și

• Pitch (psychophysics)
• AP Music Theory
• Theory of painting
• Musicology
• List of music theorists

Surse

• Benade, Arthur H. (1960). Horns, Strings, and Harmony. Science Study Series S 11. Garden City, New York: Doubleday & Company, Inc.
• Boretz, Benjamin (1995). Meta-Variations: Studies in the Foundations of Musical Thought. Red Hook, New York: Open Space.
• Benward, Bruce, and Marilyn Nadine Saker (2009). Music in Theory and Practice, eighth edition, vol. 2. Boston: McGraw-Hill. ISBN 978-0-07-310188-0.
• Bent, Ian D., and Anthony Pople (2001). "Analysis." The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
• Castan, Gerd (2009). "Musical Notation Codes". Music-Notation.info (Accessed 1 May 2010).
• Cavanagh, Lynn ([1999]). „A Brief History of the Establishment of International Standard Pitch A=440 Hertz” (PDF). Arhivat din original (PDF) la 2009-03-25. Accesat în 3 aprilie 2012.  (Accessed 1 May 2010)
• Harnsberger, Lindsey C. (1997). "Articulation". Essential Dictionary of Music: Definitions, Composers, Theory, Instrument and Vocal Ranges, second edition. The Essential Dictionary Series. Los Angeles: Alfred Publishing Co. ISBN 0-88284-728-7.
• Jackendoff, Ray and Fred Lerdahl (1981). "Generative Music Theory and Its Relation to Psychology." Journal of Music Theory.
• Josephs, Jess L. (1967). The Physics of Musical Sound. Princeton, Toronto, London: D. Van Nostrand Company, Inc.
• Kostka, Stefan, and Dorothy Payne (2004). Tonal Harmony, fifth edition. New York: McGraw-Hill.
• Kramer, Jonathan (1988). The Time of Music. New York: Schirmer Books.
• Lerdahl, Fred (2001). Tonal Pitch Space. Oxford: Oxford University Press.
• Lewin, David (1987). Generalized Musical Intervals and Transformations. New Haven: Yale University Press.
• Lloyd, Llewellyn S., and Hugh Boyle (1978). Intervals, Scales and Temperaments. New York: St. Martin's Press. ISBN 0-312-42533-3
• Olson, Harry F. (1967). Music, Physics and Engineering. New York: Dover Publications. ISBN 0-486-21769-8. 
• Stevens, S. S., J. Volkmann, and E. B. Newman (1937). "A Scale for the Measurement of the Psychological Magnitude Pitch". Journal of the Acoustical Society of America 8, no. 3:185–90.
• Yamaguchi, Masaya (2000). The Complete Thesaurus of Musical Scales. New York: Charles Colin. ISBN 0-9676353-0-6. 

Bibliografie

• Apel, Willi, and Ralph T. Daniel (1960). The Harvard Brief Dictionary of Music. New York: Simon & Schuster Inc. ISBN 0-671-73747-3
• Benward, Bruce, Barbara Garvey Jackson, and Bruce R. Jackson. (2000). Practical Beginning Theory: A Fundamentals Worktext, 8th edition, Boston: McGraw-Hill. ISBN 0-697-34397-9. [First edition 1963]
• Brown, James Murray (1967). A Handbook of Musical Knowledge, 2 vols. London: Trinity College of Music.
• Chase, Wayne (2006). How Music REALLY Works!, second edition. Vancouver, Canada: Roedy Black Publishing. ISBN 1-897311-55-9 (book)
• Hewitt, Michael (2008). Music Theory for Computer Musicians. USA: Cengage Learning. ISBN 139781598635034.
• Lawn, Richard J., and Jeffrey L. Hellmer (1996). Jazz Theory and Practice. [N.p.]: Alfred Publishing Co. ISBN 0-88284-722-8.
• Owen, Harold (2000). Music Theory Resource Book. Oxford University Press. ISBN 0-19-511539-2.
• Seashore, Carl (1933). Approaches to the Science of Music and Speech. Iowa City: The University.
• Seashore, Carl (1938). Psychology of Music, New York, London, McGraw-Hill Book Company, Inc.
• Sorce, Richard (1995). Music Theory for the Music Professional. [N.p.]: Ardsley House. ISBN 1-880157-20-9.
• Taylor, Eric (1989). AB Guide to Music, vol 1. England: Associated Board of the Royal Schools of Music. ISBN 1-85472-446-0
• Taylor, Eric (1991). AB Guide to Music, vol 2. England: Associated Board of the Royal Schools of Music. ISBN 1-85472-447-9
• Yamaguchi, Masaya (2006). The Complete Thesaurus of Musical Scales, revised edition. New York: Masaya Music Services. ISBN 0-9676353-0-6.

Legături externe

• Dillen, Oscar van, Outline of basic music theory (2011)
• http://www.musictheoryhelp.co.uk Arhivat în 16 februarie 2014, la Wayback Machine.